"Take Me I'm Yours" is the debut single by English new wave band Squeeze. Monnaie de Paris is proud to thank Photomaton for their support to the work of Franco Vaccari. In 1995, Hans Ulrich Obrist curated a unique exhibition at London's Serpentine Gallery that not only gave visitors the opportunity to look at the art on display, but to use it and even take it home. Take Me (I’m Yours) From an exhibition idea originally conceived by Hans Ulrich Obrist and Christian Boltanski in 1995. In this Parisian chapter of the legendary Take me (I’m Yours) exhibition, created in 1994 by artist Christian Boltanski and curator Hans Ulrich Obrist, visitors are explicitly invited to touch, take away, eat or drink the works, instead of contemplating them passively. Artists generously offer and give away objects and artworks throughout the exhibition’s space. Topos Graphics, founded in 2005, is a collaborative design studio with offices in New York and Atlanta. Franco Vaccari uses photography as a proof of a physical presence of the individual. Even though the title of this piece could refer to an advertisment, the texts written on the banners are more related to protest slogans rather than publicity. Now the Jewish Museum, New York, is mounting a new edition of Take Me, I'm Yours. Before entering into Salon Dupré, artist Rirkrit Tiravanija sets up an environment that invites to sharing with each other. The performance Be Quiet by James Lee Byars takes place everyday from 11am to 1pm. Boltanski reflects on the very concept with the artists of Take Me (I’m Yours) Franco Vaccari is the first artist to install a working photo booth in an exhibition space and make it available to the public. The public can take these slogans away on badges which are available in a stand tray. Carsten Höller Take Me (I'm Yours) Installation view from the exhibition Take Me (I'm Yours), selected by Hans Ulrich Obrist, Serpentine Gallery, London (24 March - … + Take Me (I'm Yours) Tote + Take Me (I'm Yours) Keychain in both colors. By giving away all the art, the show boldly defies both the red-hot art market and the understanding of museums as carefully guarded repositories for valuable work. Challenging conventional economic channels, Take Me (I’m Yours) presents a model based on exchange and sharing, and thus raises questions about the exchange value of art, an issue intimately linked to Monnaie de Paris. The exhibition extends beyond the rooms dedicated to it: artists will use the Google app to offer a virtual tour combining the exhibition's past at the Serpentine in London in 1995, its present at the Monnaie de Paris in 2015, and its future - with forthcoming versions destined to travel further afield. Take Me (I’m Yours)” is a group exhibition that rewrites the rulebook for experiencing a work of art. Monnaie de Paris presents Take Me (I'm Yours), an exhibition curated by Christian Boltanski, Hans Ulrich Obrist and Chiara Parisi, from 16 of september through 8 of november 2015. People can gather around a 14th century still from Syria that produces rose water. “Take Me (I’m Yours)” follows exhibitions by the mischievous American artist Paul McCarthy and the Belgian conceptual artist Marcel Broodthaers. The show invites visitors to become either a participant, a buyer, a co-author of the artwork or even its creator. A performer behind a table, like a vendor, provides an object. The Take me (I’m Yours) exhibition has been created in association with Eva Albarran and Three Steps to Heaven. sented in 1995 at the “Take Me (I’m Yours)” exhibition at Serpentine Gallery in London, Dispersion is staged as piles of used clothing that visitors can peruse, selecting pieces of clothing and taking them home in bags designed by the artist. Photo by: David Heald. [citation needed Details. February 2020. Gilbert & George thus transform the visitor’s body into an artistic device. Visitors are invited, even encouraged, to touch, use, and take away objects and ideas from the show.The exhibition curators, Christian Boltanski and Hans Ulrich Obrist, have revisited this founding principle and renewed it. He creates a situation in which the visitor is involved and actuates the work, which "develops" throughout the exhibition. This work is an encounter between the irrational world of superstitions which nourishes the artist's work, and the rational world of advanced technologies, which the 3D printer represents. Read writing about Exhibition in The Jewish Museum. Take Me (I’m Yours) Saved by ... Take Me (I’m Yours) Saved by Davida Casey. Starting at the entrance of the Monnaie de Paris’ building, Fabrice Hyber, Yoko Ono, Kerstin Bratsch & Sarah Ortmeyer present their projects to the public. curated by Christian Boltanski, Hans Ulrich Obrist and Chiara Parisi, Monnaie de Paris11, quai de Conti, 75006 PARISHow to find us. Visitor's work is split between a co-creation and a souvenir from his or her participation to the exhibition. The erosion of the candy pile echoes the slow consummation of the couple bodies by the disease. Visitor’s body is put to the test with artworks and installations to try out. Some pieces require explicit participation, like drawing, photocopying, or trading a personal item. Interactive Art. Boltanski’s work is titled Dispersion (Dispersal). On Tuesday, New York City-based Jewish Museum launched a crowdfunding campaign on Kickstarter to raise $30,000 for its upcoming art exhibition, Take Me (I’m Yours). Take Me (I’m Yours) aims to construct a democratic space for all visitors to participate in the creation and ownership of an artwork, thus commenting on the politics of value, consumerism, and hierarchical structures of the art market. One exhibition, “Take Me (I’m Yours),” now open at Milan’s Pirelli HangarBicocca, allows you to go one step further. your own Pins on Pinterest Then head into the exhibition with a Take Me (I'm Yours) tote to take home your own collection of works. Art was offered as an activity and as a transaction. Open every day, 11 am – 7 pm. The main entrance is framed by two olive trees.These Wish Trees from Yoko Ono do not yield olives whereas visitors are invited to hang their wishes on a label to the branches of the trees. The initial project has been revisited by the artists who took part in the first version (Maria Eichhorn, Hans-Peter Feldmann, Jef Geys, Gilbert & George, Douglas Gordon, Christine Hill, Carsten Höller, Fabrice Hyber, Lawrence Weiner, Franz West), with new collaborations (Etel Adnan & Simone Fattal, Paweł Althamer, Kerstin Brätsch & Sarah Ortmeyer, James Lee Byars, Heman Chong, Jeremy Deller, Andrea Fraser, Gloria Friedmann, Felix Gaudlitz & Alexander Nussbaumer, Jonathan Horowitz, Koo Jeong-A, Alison Knowles, Bertrand Lavier, Charlie Malgat, Angelika Markul, Gustav Metzger, Otobong Nkanga, Roman Ondak, Yoko Ono, Philippe Parreno, point d’ironie (agnès b. The artist applies the concept of mechanical chain production to an artwork. your own Pins on Pinterest It also makes its presence felt at the stand of a Parisian bouquiniste - a second-hand bookseller opposite Monnaie de Paris - and gets a breath of fresh air every day through the actions of the artists who surprise visitors during impromptu artistic interventions, during the exhibition and more intensly during FIAC from 22 to 24 October.